In the heart of any successful story lies man, man as a sentient being, der Mensch as in German or manushya as in Sanskrit; the great doer and the chronicler, an observer as well as the observed. He picks up his instruments of creativity, a pen, a brush, a camera, facial or bodily expressions, voice and so on. He becomes a narrator. He keeps registering events or things that stir his passions through means that he chooses for himself. He weaves himself in his story just as much as he describes his outer world in his narrative. In fact, he becomes his story. The audience too does not remain isolated from the premises of his storytelling but becomes a part of it. In that respect, Giovanni Savino is at once a protagonist, an author and a critic of the many tales that he endeavours to narrate each day. After all, these are nothing but mini episodes of his great life’s show, the core of his creative self. Camera in hand he observes each moment as a precious uncut diamond waiting to be given shape and context to let it shimmer in exhilaration. The weather–beaten traveller that he is Giovanni knows the how a man’s freedom and restriction both lie in these four letters, Time. The acute awareness of it driven him from his birthplace the Tuscan landscape to Dominican Republic and now New York with many stops in between. The consciousness of the same also motivated him to extract the maximum out of his own self, day in and day out, testimonies of which galore on the pages of his illustrious albums and now in this thoughtful interview.
The fact that a city so readily divulges her secrets to Viviana Peretti, or more aptly to her camera lenses, does not come as a big surprise. Viviana spent much of her childhood and teens in a small town close to Rome, greater part of a decade in bustling Bogotá, Colombia, briefly spent time in beautiful Marseille, France while firmly anchoring herself in the global village of New York. In true sense, as in life so through her art, Viviana has treaded from serenity to pandemonium before being back to orderliness. The artist is also an anthropologist who graduated Magna Cum Laude from the University of Rome in 1997. Viviana is fluent in multiple languages besides being proficient with the language of images. Nine years spent in Colombia have provided her with the necessary impetus to document lives of people around her as viewed from her own unique perspective. In 2010, she duly earned a degree in Documentary Photography and Photojournalism from the International Center of Photography in New York.
Unlike many other photographers of her generation Viviana Peretti finds herself equally adept in using analogue, digital cameras or even iPhone for the purpose of storytelling. These are only instruments for her to be used in accordance to the objective of the visual narratives akin to a painter’s choice of medium or different types of brushes. She also loves the freedom of selecting the subject of her photographic essays for herself, so much so, that often for her personal projects she captures the imagery for a particular series first and then pitches it to media for publication. It is undoubtedly an extremely risky venture, something that many would dare not attempt. But she hardly believes in a set formula for success. Viviana received numerous fellowships and awards including the Sony World Photography Award earlier this year. She keeps herself devoted in honing her skills as her reputation increases by the day and her photographs are featured in many esteemed newspaper and periodicals across the globe. She is determined to give every flying minute something to keep in store.
We would never know if the famous Rascal Flatts song Life is a Highway was in the back of the subconscious mind of Joe Simpson, the gifted artist from England, when he created Across America. For the paintings, often consisting fleeting images of a vast country, evoke a feeling of Life’s like a road that you travel on / When there’s one day here and the next day gone / Sometimes you bend, sometimes you stand / Sometimes you turn your back to the wind. If noticed closely the sketches, monochromatic and denuded from any distraction, feel even more intimate. As if you may find your own home or the corner of a street of your neighbourhood staring back at you from the frames!
Joe Simpson is one of those artists whose faith is firmly rooted in realism. He uses facets from everyday lives to weave his story on canvas. So common men and women with their hopes and aspirations, love and affections, despondencies and rejections become loci of his narratives. In that respect his work is a golden link between him and the masters of Dutch Golden Age who brought genre paintings into the centre of attention. Appropriate to the age the backdrop changes as much as does the characters. The rustic folks busy in merrymaking or a lonely girl working at a corner of a room are replaced by men and women jostling with each other in an urban setting or a forlorn figure intently reading a letter with a smirk on the face. And at times objects like telegraph poles and pylons set up against the wide blue yonder are personified to communicate their own story.
Born in 1984, Lancaster, England, Joe Simpson acquired critical acclaim showcasing his work in a number of galleries in United Kingdom and beyond. Not only did he manage to excel in a relatively short period of time but also exhibited his entrepreneurial and organisational skills. His series Almost There and Musician Portraits required considerable efforts from his part to make the collaboration between him and some of the busiest musicians of this day as smooth as possible. To provide for Across America he depended on crowd funding and returned the favours of the contributors by sending them his paintings. His favourite artist Edward Hopper asserted, The inner life of a human being is a vast and varied realm. Let us then try to peep into the heart and mind of this young painter.
An artist’s eyes always remain engaged in search of visual poetry even at the seemingly unlikeliest of the places. The rhythm in massive brick structures, nostalgia associated with rain soaked streets or the irony of multitude jostling in every street corner without even knowing each other hardly ever eludes Nathan Walsh. And, the artist loyally keeps on registering every mood of a throbbing city on canvas. Be it on the Sicilian Avenue, in the Rainy Afternoon in Chicago or in New York Sunshine Nathan Walsh’s mind remains ever alert picking up the glittering verses that the city whispers into his ears. He also takes artistic liberty in fusing time and space to create paintings like 23 Skidoo or Multiverse – a playful geometric maze that can only be painted through such creative consciousness.
Nathan Walsh was born in 1972, Lincoln, United Kingdom. He completed BFA from Liverpool School of Art and then earned his MFA from University of Hull. His unique artwork has been exhibited worldwide, including in Metro Gallery, Australia 2012, KIAF 11 Korean International Art Fair, Seoul, Korea 2011, Persterer Gallery, Zürich, Switzerland 2010, Strictly Visual, Lois Lambert Gallery, California 2005 and SW1 Gallery, London. His name is mentioned along with many other prominent artists in British Artists since 1945, London: Art Dictionaries LTD by David Buckman. Learn more of Nathan Walsh as he continues his exploration of urban vista through the vocabulary he is most skilled at – art.
Vincent Giarrano was born in 17th November, 1960, Buffalo, New York. Early in his life painting caught his fancy, a passion that he continues nurturing to this day. He completed Master of Fine Arts from Syracuse University in 1985. His works are regularly exhibited in a number galleries including Susan Powell Fine Art, Madison, CT, NYC Viewpoints, 2009, Grenning Gallery, Sag Harbor, NY, Spring Break, 2009 and Waterhouse Gallery, Santa Barbara, CA, Figurative Exhibition, 2008 to name a few. It would not be an exaggeration saying, Vincent’s fingers are firmly placed feeling the pulse of the city.