Shay Kun grew up in an environment that smelled heavily of poppy, turpentine and linseed oil. And by the time he was perfecting his first vocabulary he already started differentiating the depth of oxide red from the earthy tone of burnt sienna and identifying the radiance of cadmium yellow from the calmness of cerulean blue. Well, to be fair, much of this learning was absorbed unconsciously by him from his immediate environment after he was born in 1974, Israel, to parents who are themselves noted artists. Naturally, his creative enthusiasm in those days knew no boundaries. He graduated from Bezalel Academy of Art and Design, Jerusalem, Israel in 1998 with a BA in Fine Arts and followed that up with a Masters Degree completed from Goldsmiths College, London, England, 2000. He felt the atmosphere in Goldsmiths College to be intellectually stimulating but finding his own voice needed much contemplation from his part. In the end, after much mulling over, he did manage crafting a unique pathway for himself that he may call his own. To some extent, an amalgamation of his mother’s optimism and tender–heartedness showcased by her art and his father’s way of interrogating the darkness and decay of the age through his paintings could be seen into Shay Kun’s work.
For over a decade now Matilde Gattoni’s camera lens is faithfully capturing myriad facets of life as experienced in India or Eritrea, Uzbekistan or Iran, Syria or Somalia. Born in 1974, Matilde Gattoni studied History in Universite’ des Sciences Humaines, Strasbourg, France, before giving in to her passion for photography. Ironically, as she now treads the different parts of the world camera in hand she lets her own visual essays to be a part of mankind’s history.
Matilde’s career as a photojournalist commenced when she was travelling in Israel and ended up covering the second Intifada early last decade. In the process she received much acclaim not only from her fellow photographers but also from aficionados of the art. Since 2007, her name was a permanent feature in more than one International Photography Awards (IPA). For her project Drought and Fear in the Horn of Africa she received bronze medal in Px3 Prix de la Photographie in 2012. Her visual portrayal, The Swallows of Syria, earned her 3rd place in Portfolio Lens Culture International Exposure Awards, 2012. Matilde was also associated in the making of Uzbekistan, 10 years after independence, Tranchida Editore, Milan, 2002 with renowned journalist Ahmed Rashid. A similar endeavour with Cartiere del Garda produced A better time in 2008.
Whether, it is in The Swallows of Syria or in The Devil in Me, the plight of women feature prominently in many of Matilde Gattoni’s visual narratives. Similarly, their victories also receive due attention as could be seen through her photographic essay on Elham Al Qasim, the first woman from UAE to reach North Pole. Over a period of time she also diversified and set out exploring a wide range of topics from architectural marvels, posh interiors to high octane sports like Formula One but always with a humane touch. Read the full interview with Matilde Gattoni to learn more about her and her work as she is busy in ‘catching’ the ‘transient hour’.
Born in 1984, Yulia Gorodinski spent her early childhood in Belarus, the country of her birth. But at twelve she migrated to Israel where she completed her studies with MA in English Literature from The Hebrew University, Jerusalem, 2010. It was in 2007 while she was studying History and English literature at graduate level that she started feeling a connection with the art of photography besides a yearning for self-expression.
Yulia’s work is a monologue, a continuous striving of exploring her own personality and her emotions from within. In her creative discourse she is the model and the photographer. And through her self-portraits she is tearing down the barriers within, that lie in each one of us, in her quest of knowing the ‘self’.