Aki Inomata uses her art to amply depict the anxieties of her time. Series like Why Not Hand Over a “Shelter” to Hermit Crabs? is an unerring commentary on the synthetic to downright ludicrous aspects of modern civilisation. Questions are often raised loud and clear. Somewhat ironically though, these very aspects of her art tend to harmonise instead of polarising views. For in the heart of heart, Aki carries the precious age old sentiments of her land that believes in life, in its every form and expression, to be sacred and reverential.
Jacques-André Dupont is a Motion Designer, Art Director, and an Audio-visual Creative adept in 3D and Video-mapping techniques. Now a resident of Berlin, Jacques divides his time between commissioned work and more artistic personal projects.
Born in 1966 Onomichi, Hiroshima, Japan, Motoi Yamamoto was busy working at the local dockyard till 1988. A tragic loss of his sister Yuko at her prime, who was then suffering from brain cancer, made Motoi not only realise the fragility of life but also wonder at its instability. He resorted to creating installations with salt, an element which is a symbol of purification in Japan and also a common environmental factor from his days at dockyard. Through returning the salt to the sea at the end of every show Motoi continues to pay respect to his departed sister till date.
Born in Viterbo, 1966, Carlo Bernardini, started his career in early 1990s with abstract paintings. During the first half of the same decade he also started researching with the 3rd dimension of his work. In 1996 at the Palazzo delle Esposizioni in Rome for the XIIth Quadriennale the research saw successful fruition in the work carried out on a more than five-metre board, intervening with pigments and phosphor, creating visual duplicity, the hallmark of Carlo’s. He extensively started experimenting with optical fibre with installations at the Galleria Nazionale della Pilotta in Parma (1998), the environmental project in Reggio Emilia in the spectacular sixteenth-century location of the Chiostri di San Domenico (1999) and the great installation in Padova, realized in via Fiume, at the Palazzo della Ragione (2000). In 2002 Bernardini was invited to the XXth Triennale in Milan and to Sculpture Space, Utica (New York).