In the heart of any successful story lies man, man as a sentient being, der Mensch as in German or manushya as in Sanskrit; the great doer and the chronicler, an observer as well as the observed. He picks up his instruments of creativity, a pen, a brush, a camera, facial or bodily expressions, voice and so on. He becomes a narrator. He keeps registering events or things that stir his passions through means that he chooses for himself. He weaves himself in his story just as much as he describes his outer world in his narrative. In fact, he becomes his story. The audience too does not remain isolated from the premises of his storytelling but becomes a part of it. In that respect, Giovanni Savino is at once a protagonist, an author and a critic of the many tales that he endeavours to narrate each day.
For the young photographers like Stephanie Jung the key lies in stretching the limits, finding new vistas and exploring those to the fullest, both within and without. So far she used her talent effectively, capturing vivid imageries from life’s various chapters which bodes well for herself but even more importantly for her art.
Laura Barisonzi prefers capturing images of her subjects in natural surroundings instead of depending on the tried and tested ambience of the studios. The NYC photographer also likes showcasing people in action. Since she often works with sportspersons, fitness fanatics and dancers, particularly for her commercial assignments, this aspect of her visual narratives thrives on an added dimension.
Connor Stefanison was born on May 31, 1991 in Burnaby, Canada. He was introduced to the world of photography while indulging his other passion, mountain biking. Since then Connor devoted ample time to better understand the nuances of the craft. And when, less than a year ago, he became the first Canadian to receive the prestigious Eric Hosking Portfolio Award, presented to him in London, he knew he is on the right track. The honour not only granted him instant international recognition but also provided him with motivation to broaden his horizon even further.
The fact that a city so readily divulges her secrets to Viviana Peretti, or more aptly to her camera lenses, does not come as a big surprise. For Viviana spent much of her childhood and teens in a small town close to Rome, greater part of a decade in bustling Bogotá, Columba, briefly spent time in beautiful Marseille, France while firmly anchoring herself in the global village of New York. In true sense, as in life so through her art, Viviana has treaded from serenity to pandemonium before being back to orderliness.