Shay Kun grew up in an environment that smelled heavily of poppy, turpentine and linseed oil. And by the time he was perfecting his first vocabulary he already started differentiating the depth of oxide red from the earthy tone of burnt sienna and identifying the radiance of cadmium yellow from the calmness of cerulean blue. Well, to be fair, much of this learning was absorbed unconsciously by him from his immediate environment after he was born in 1974, Israel, to parents who are themselves noted artists. Naturally, his creative enthusiasm in those days knew no boundaries. He graduated from Bezalel Academy of Art and Design, Jerusalem, Israel in 1998 with a BA in Fine Arts and followed that up with a Masters Degree completed from Goldsmiths College, London, England, 2000. He felt the atmosphere in Goldsmiths College to be intellectually stimulating but finding his own voice needed much contemplation from his part. In the end, after much mulling over, he did manage crafting a unique pathway for himself that he may call his own. To some extent, an amalgamation of his mother’s optimism and tender–heartedness showcased by her art and his father’s way of interrogating the darkness and decay of the age through his paintings could be seen into Shay Kun’s work.
Robert van Koesveld’s passion of photography found able allies in his artist’s mind which in turn joined forces with his restless feet always in search of wonders in distant landscapes. Still it remained largely a hobby for him until recently and only received primary focus during his many sojourns. About four years ago, he took a break from his full time profession as a psychotherapist and educator. As usual he enjoyed his journey through different places and relished the opportunities of photographing the known and unknown facets of the land and the people living there. But this time he did not go back to his work, instead, he devoted time in exploring the world even more. To ensure the imagery what his mind absorbed is presented faithfully to the audience across the globe he started maintaining extensive visual diaries. While many locales unmasked themselves in front of the camera lenses of this photographer, Bhutan — a tiny nation nestled into the Himalayas, enthralled him most.
Illustrious sojourners or a common man, who keep an open mind during their trips to foreign land, have discovered for themselves the immensely nourishing experience of travelling on both mind and body. Yet, with each of our perspectives being unlike, even if slightly, the other person’s standing next to us, an image may uncover different versions of a story to each one of us. A reflection on a dewdrop hanging from the edge of a blade of green grass, a wildflower thriving on the roadside in defiance of the tramples she puts up with everyday of her existence or the octogenarian woman sitting beside an earthen oven and fanning the fire not essentially out of necessity but more of habit may evoke varied emotions in different person’s hearts. But irrespective of that shade of sensation, it will stir a creative mind enough to let it yearn for an expression. And for an artist it is vital to be truthful to his or her own vision. While erstwhile travellers like Marco Polo resorted to cartography to have the viewers retrace the places he visited, modern technology has given us camera for capturing tiny moments of this rapidly flowing time. And while people like Robert van Koesveld are striving to hold the glimmering gems in palm before their sparkles are lost forever in the annals of time, let us not dither any longer in retracing the steps of his photographic journey.