The Uncertainty of Fragility

An Interview with Fenella Elms

Born in 1964 it is not until she turned 40 that Fenella Elms’s actively started modelling dreams on potter’s wheel. She was working as an Occupational Therapist for National Health Services then and found it befitting to create structures and patterns using ceramics as a medium. A recipient of Ceramic Review Award for Exceptional, Innovative and Challenging work at Ceramic Art London, Royal College of Art in 2011 Fenella’s work is a narration in ‘fragile permanence’.

With Pencil and Camera

Ben Heine Reveals

Ben Heine is a multidisciplinary visual artist in true sense. He can play drums, piano, guitar, can speak six languages, has a degree in journalism and most importantly can paint and photograph. Two very strong visual media of drawing and photography become unified to create fascinating pieces of art. Success of his project Pencil vs Camera, conceived in April, 2010, is a proof of that. Digital Circlism, another idea materialised around the same point in time blends the best of pop art and pointillism to recreate portraits of famous personalities such as Marilyn Monroe, Freddie Mercury, Johny Depp, Lady Gaga and so on. Flesh and Acrylic is one of his latest projects having started in 2011.

Born in 12th June, 1983 in Abidjan, Ivory Coast, Ben spent first 7 years of his life there before moving to Brussels in 1990. His interests run deep into Belgian Surrealism, German Expressionism, American Pop Art, and Social Realism.

In the Moment of Creation

An Interview with Charlene Lanzel

Like a multi–faceted diamond, Charlene Lanzel’s artistic mastery sparkles through her fine art paintings, murals, trompe l’œil, street painting and sand art to dazzle her audience. Born into a family of visual artists in La Crosse, Wisconsin in 1967 Charlene was published in an instruction book for elementary school art teachers by age 9. In 1985 she received the Senior Art Award and Art Scholarship from her high school in Onalaska, Wisconsin. In 1987 she relocated to New York. Year 1999 saw Charlene Lanzel painting Italian trompe l’œil murals for the Venetian Casino in Las Vegas, with fellow artist Tracy Lee Stum. The two also competed together at the prestigious XXVII Centro Italiano Madonnari Street Painting Festival in Mantova, Italy. The yearning to explore beyond the one frame image painted on canvas, Charlene was fascinated viewing sand animation when she first saw it in 2004. It is not until 2010 though that she embraced the idea of becoming a performance artist herself. Since then she is narrating timeless stories of love, festivities and even tragedies of life through this ephemeral art form.

Exploring the World of Street Painting

An Interview with Tracy Lee Stum

Tracy holds a Guinness World Record for the largest street painting by an individual artist since 2006. As a ‘Madonnaro’ Tracy uses the grey asphalt as her canvas drawing 3d images with colourful chalks. Born in Chambersburg, Pennsylvania, Tracy got attracted to painting very early in her life. She studied privately as a child and completed a 4 year Bachelor’s degree program at Tyler School of Art in Philadelphia. She continued her studies in naturalism at the Florence Academy of Art in Italy where she first experienced street painting. However, it is her visit to Madonnari Italian Street Painting Festival in Santa Barbara, California in 1997 that enthused and introduced her to the world of street painting as an artist. In her own words, ‘I have surely found a suitable medium to express my visions of mind and heart.’